Typically, I'm over apocalyptic horror. While classics like 28 Days Later and the early seasons of The Walking Dead were gripping, the genre feels largely depleted at this point. Yet the highly anticipated 28 Years Later remains sitting on my to-watch queue for months. However, Netflix's new Southeast Asian zombie flick, The Elixir, succeeded in defy my expectations turning out remarkably enjoyable.
Excellent Pacing and Character Development
One of this movie's strongest assets lies in the excellent rhythm. It kicks off using a striking initial scene where a peaceful family party gets suddenly disrupted when a vehicle crashes right into the seating section. From the wreckage, a very zombie-like individual stumbles out and begins assaulting the attendees. This intense scene is immediately followed by a look back, giving viewers to see the family prior to the disaster occurred.
In contrast to many zombie films, The Elixir truly gives the audience enough opportunity to become acquainted with the primary characters prior to the carnage ensues. There's Nes, a married mother with a former best friend, Karina, is now wed to Nes' father—a clearly awkward situation. Naturally, this has predictably caused a rift between the two women. We also see Nes' brother, Bang, described as kind-hearted yet socially awkward, and who enjoys gaming alongside Nes' young son, Raihan. Nes' husband, Rudi, seems to have lately cheated on Nes. This household head consists of Nes' father, who runs a well-known natural medicine company called Wani Waras, and who seems focused on only two things: his work and his marriage to Nes' former best friend. Needless to say, this family reunion proves extremely strained.
Engaged in the Conflict
I became so engrossed with this family's dynamics and their personal conflicts to the point I nearly overlooked this was a scary movie—which might seem like a negative, yet ultimately worked well. The Elixir spends a significant portion of the film to showing viewers who each relative represents, and how they add to the overall dysfunction. This emphasis on clashing personalities enabled me to connect with the characters enough to be concerned for their outcome—a rare accomplishment in a genre which frequently presents characters only to kill them off soon after. The Elixir doesn't treat its cast as two-dimensional, disposable victims for an army of zombies to devour, thus it's a genuine surprise once events finally deteriorate.
Reminiscent of Parasite
The initial sequences of the party and various family interactions actually evoke the film Parasite, a story that masquerades as a Korean drama featuring slightly dark comedy before making an abrupt turn toward "holy shit" ground. These introductory scenes don't focus too heavily on humor as Parasite, yet The Elixir still gives enough time to settle into its world prior to everything gets turned upside down.
Original Zombification Source
The film also offers a quite interesting explanation for the source of the contagious zombification. Instead of an accidental lab leak or some sort of bioweapon, the source of this infectious condition originates in a new sample of Wani Waras herbal remedies created by her dad. While we do learn a bit about how it started, I wish the movie had spent additional focus on how Wani Waras transitioned from a reputable supplier of natural treatments to creating a lethal potion which seems to include an extremely infectious virus. Regardless of the lack of context, the impact this affliction has on people is utterly disgusting, which I appreciate. The Elixir's undead prove quick, freaky-looking, and, maybe most disturbingly, constantly grinning. This is a daring decision, but it succeeds. The Elixir's practical effects and CGI are also quite realistic, and are almost guaranteed to provoke one's trypophobia.
Capable Characters
More impressive than the disgusting scenes is the cast themselves. Of course, there are some examples of dubious decision-making (like any typical zombie movie), but for the most part, Nes and her relatives show themselves resourceful and quick-thinking. They also aren't afraid to kick an undead in the head, pierce it using a farm tool, or hit it over the head with the nearest heavy object is available instead of standing still like a deer caught in lights while danger approaches.
Realistic Family Strike
The Elixir doesn't drop its themes of familial discord once individuals begin transforming to the undead, which was a welcome realistic subversion from the "We don't get along|"We have issues, but you almost died so I instantly forgive you for everything! trope frequently used in apocalyptic films. It's clear, Nes cares for her family and values her spouse, Rudi, yet it's equally apparent she remains holding onto bitterness regarding his infidelity of their marriage vows. Once the household gets separated, they agree via telephone to meet up at a close location. However, once Bang admits he is unaware the way to the location, Nes unleashes a massive level of irritation on her brother which has obviously been brewing over time. Nes isn't perfect, and her family—with all their imperfections—feel realistic and relatable since the movie doesn't try to push the idea that nearly dying instantly cures familial strife. This causes those instances when these characters do show gratitude toward one another feel far more genuine.
Predictable Ending
Despite The Elixir's strong efforts to break new ground, the conclusion must be said to be a bit stereotypical. The Elixir isn't really offering up some profound message regarding relatives or community, as well. Instead, it's primarily serving up frights. But they're successful scares, and since the film allows every personality enough room to develop and doesn't punish them for their imperfections, the result is a captivating and enjoyable
